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In the Waveform Editor, you can save audio files in a variety of common formats. The format you choose depends on how you plan to use the file. See Audio format settings. Keep in mind that each format stores unique information that might be discarded if you save a file in a different format. For details, see Batch process files.
Indicates the sample rate and bit depth. To adjust these options, click Change. See Convert the sample rate of a file. Format Settings. Indicates data compression and storage modes; to adjust these, click Change.
Include Markers and Other Metadata. Includes audio markers and information from the Metadata panel in saved files. You can export your multitrack sessions to multiple formats by sending audio and video from Audition to Adobe Media Encoder. Adobe Media Encoder includes a series of formats and presets that allow you to render and publish high-quality audio and video output from Audition.
To learn more about using Adobe Media Encoder to render and export your output, see Encode video or audio items in Adobe Media Encoder. Note : To use the export workflow from Audition to Media Encoder, make sure that you are using the most recent version of both the application. If you want to edit or output individual channels of a stereo or surround-sound file, extract them to mono files.
Adobe Audition appends the channel name to each extracted filename. For example, a stereo source file named Jazz. A multitrack session file is a small, non-audio file. It merely stores information about locations of related audio files on your hard drive, the duration of each audio file within the session, the envelopes and effects applied to various tracks, and so forth. You can reopen a saved session file later to make further changes to the mix.
You can save sessions with a record of all open files, and automatically reopen them with sessions. For a tutorial on exporting a multitrack session, see Exporting a multitrack session from Audition.
OMF was originally created for Avid Pro Tools, but now is a common multitrack exchange format for many audio mixing applications. Final Cut Pro Interchange format is based on human-readable XML files, which you can edit offline to revise text references, mix settings, and so on. Click Change to access the Convert Sample Type dialog box.
See Converting sample types. OMF Settings. Encapsulated stores audio clips in the OMF file itself for easier organization. Referenced stores audio clips in the same folder as the OMF file, letting you edit them offline if necessary. Media Options. Determines whether clip source files are trimmed to clip length in the Editor panel or reflect the entire original file.
Handle Duration. For trimmed clips, specifies the time duration to include beyond clip edges. Including additional audio provides more flexibility for fades and editing. The Warnings section indicates elements of the session that will be excluded or changed. To copy this information to the clipboard, click the Copy Warnings button. To combine session and source files for easy transfer to other systems, select Save Copies Of Associated Files. To change format and sample type for exported source files, click Options.
Session templates include all multitrack properties and clips, helping you quickly start projects requiring similar settings and tasks.
Examples include an intro theme or background ambience common to several related shows. To combine session and source files for easy transfer to other computers or storage devices, export session archives.
Handle Duration specifies how much additional audio to include at the start and end of trimmed clips. For greater flexibility with future trimming and fading adjustments, add handles of up to 10 seconds. After you finish mixing a session, you can export all or part of it in a variety of common formats. See Audio file formats. When you export, the resulting file reflects current volume, pan, and effects settings routed to the Mix track. See Create a single audio clip from multiple clips.
New Sample Type. Indicates the resulting sample types of all the files in the panel after the conversion is applied. Mixdown Options. Let you mixdown tracks as separate files, or simultaneously output mono, stereo, and 5. To adjust these and other settings, click Change. This command requires embedded metadata in the file. See Embed edit-original data in exported mixdown files.
Include markers and other metadata. Open files after export. Save to the compressed mp3 format only when creating files for the web or portable media players. To see the effect of settings changes, note the Estimated File Size at the bottom of the dialog box. Sample Type available only for bit files. Sets the audio bit depth. Higher bit depths provide more dynamic range and reduce distortion, though they increase file size and processing time.
To determine the proper setting for common output types, see Understanding bit depth. Integer settings clip audio that extends beyond the amplitude range for a given bit depth. Floating Point settings require slightly more storage space, but retain much greater dynamic range. Choose bit Floating Point if you want to repeatedly process the file and discard minimal amplitude data.
See Viewing and editing XMP metadata. Byte Order available only for bit files. Specifies the numerical sequence for bytes of data. Monkey’s Audio compresses files to roughly half their original size, using a lossless algorithm that retains sonic fidelity. Determines the tradeoff between processing speed and file size. Fast processing produces larger file sizes, and vice versa. Channel Mode. Adjusts the tradeoff between file size and audio quality.
Higher settings increase size and quality; lower settings reduce size and quality. For information about Advanced options, position the mouse over them until a tool tip appears. Choose Constant to apply a consistent bitrate or Variable to change the bitrate based on audio content. Bitrate for constant bitrates or Quality for variable. Avoid compressing the same audio to mp3 more than once.
Opening and resaving an mp3 file causes it to be recompressed, so any artifacts from the compressing process become more pronounced. The nonstandard Note : To ensure compatibility with a wide range of applications, choose the RF64 format for files greater than 4GB.
FLAC format uniquely is both compressed reducing file size and lossless retaining full audio fidelity. The Default Byte Order automatically applies the default for your system processor and is typically the best option. Determines the tradeoff between file size and audio quality. Higher settings produce larger files, but better quality. Legal Notices Online Privacy Policy.
Buy now. User Guide Cancel. Save audio files. In the Waveform Editor, do one of the following:. Specify a filename and location, and choose a file format. Set the following options:. Sample Type. Export with Adobe Media Encoder. Specify a filename and location. By default, only the mix track is exported with Adobe Media Encoder. To configure the routing of the tracks in your multitrack session to the channels in the output file, click Change.
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To help you quickly find the information you need, we included chapter markers in the downloaded QuickTime movie for easy navigation.
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